By PAUL THOMAS
This paper investigates questions of spatial boundaries by presenting information related to artistic research developed in the area of nanotechnology. The paper establishes a link between Deleuze and Guattari’s theories of the refrain, vibration, milieus, territories, and rhythms and the synergies towards the immaterial substrates that constitute nano spatial boundaries. I look at a nano disintegration of territories and boundaries1 through the ubiquitous nature of the refrain. The disintegration parallels concepts of the swarm and the multitude that constitute the postbiological body (Milburn 2005 p 283).